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THE CONCEPTS OF “CHARACTER AND CHARACTERISTIC” IN WRITING & STORYTELLING


 

OVERVIEW

Characters!


We humans

are teeny-weeny characters

wobbling and steering

the craft of our lives

carrying within us

oodles of personalities

and medleys of emotions

each, featuring its own

set of characteristics…

 

But we humans aren’t just these character formations of life, but, astoundingly, we can also create our own characters too. We don’t just find characters in our real and everyday lives, but we can also discover new and interesting characters through our imagination, storytelling and writing.

 

All it takes is imagination, practice and understanding!

 

In this video show, you’re going to learn and understand what a character is; what is the meaning of a characteristic; and seven important points related to these concepts!

 

So, let’s go! 

WHAT IS A CHARACTER?

A character is any form or appearance;

alive or dead;

animate or inanimate;

living or non-living;

human or non-human,

existing in real life or only inside your head,

that takes the role of “experiencer”

in a story, plot, setting, scene or drama.

 

Characters are the foundation

of any creation based on the craft of storytelling...

 

In fiction, characters are based on imagination & memory…

whereas in non-fiction, the character is the main subject presented through the piece of writing, sometimes the writer herself.

 

WHAT IS A CHARACTERISTIC?

The word CHARACTERISTIC comes from the word CHARACTER.

 

Etymologically, the word CHARACTERISTIC has been derived from the Greek word kharaktÄ“r which means ‘a stamping tool’.

 

DIFFERENCE AND RELATIONSHIP BETWEEN A CHARACTER & A CHARACTERISTIC 

Characteristic = “The stamping tool of a Character”

Character = “A set/group of two or more Characteristics”

 

SEVEN IMPORTANT POINTS ABOUT THE CONCEPTS OF CHARACTERS & CHARACTERISTICS

#1    A character can be any appearance as long as it is viewed from the point of view of “experiencer”.

#2   Each and every appearance, irrespective of whether it is human or not, can be looked at, as a character, as long as it is provided the role or the position of being the “experiencer” in a scene, story, setting, or novel. That is, while writing about a character, you take the role of the subject pertaining to this character.

#3   Each character has some characteristic(s).

a.      The more you focus on a particular character, the more characteristics you will be able to discover in it.

b.      Free writing is the key to unfolding the characteristic(s) pertaining to a character

#4   No two characters are the same. If they’d be the same, then they wouldn’t be two. Just the very fact that they are two, illustrates the evidence that they are two characters. Two different characters.

a.      Even if two characters are exactly the same, or the literal twins of each other, still and all, the very thing that they are two, makes them unique. One is number one. And second is number two.

b.      This quality or these labels Number One, or Number Two is their ‘characteristic’.

#5   All characters have one common and fundamental characteristic – their source of creation – that is the writer’s mind.

a.      Whether you’re creating a character by observation of real world or life, or whether you’re creating it from your memory or imagination, ultimately, its your mind that shapes and sculpts the character, that colours and paints it with a unique set of characteristics.

#6   Following the fundamental or the source characteristic, the characters have common characteristics – the characteristics that are common to two or more characters.

a.      These characteristics are driven by the characters’ unique line of experiences and consequent memory matrix – it is embedded in the character’s DNA

#7   The writer is the character she is writing about or creating.

a.      The depth of a character is determined by the scope of focus, exposition, magnification & clarity that you look through it within your own mind.

b.      If you’re writing as a villain character, you must become a villain in that moment.

c.       If you’re writing as a romantic character, you must feel the romance within yourself before it reflects in the character you’re creating.

d.      If you’re writing for children, then you must become a child yourself.

 

That’s the key!


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